Review: Zeal & Ardor, "Greif"

Inevitably when you have a unique band that is truly creative, there comes a time when they want to step away from what they've done in the past and try something very different. Sometimes that new direction is really good, more often it's not so great. That moment has come for Zeal & Ardor on Greif, and it leaves me with really mixed feelings as they seem to have dropped many of the things that I loved about their previous records.

What's hot?

Zeal & Ardor continues to push boundaries, but this time those boundaries may challenge fans of the band's previous work. There are still a few really nice examples of what they do best. "Hide in Shade" stands out as one of those. And some of the newer touches to the music are interesting, if not quite as heavy or catchy as I'd often like.

Best of 2022, Part 2: Ozzy, Zeal & Ardor, Whiskey Myers, Parkway Drive, Amon Amarth, Alestorm, Skid Row

Continuing my Best of 2022 list with the top 10: 

No. 10. OZZY OSBOURNE – PATIENT NUMBER 9: Who’d have thought that an Ozzy Osbourne record would ever crack my Top 10 again? This one really kind of hit home for me despite some questionable production choices. The title track with Jeff Beck is the best thing that the Prince of Bleeping Darkness has done in ages, and there’s plenty more to like here with guest shots from Tony Iommi, Eric Clapton, Zakk Wylde and Mike McCready. Though it doesn’t quite capture the classic Ozzy energy, there are certainly shades of all of his incarnations to be found in the songs here, and it’s probably the first Ozzy album that I’ve truly enjoyed since 2001’s Down to Earth. (And yeah, I know most people dislike that one, too, but I don’t.)

Standout songs: “Patient Number 9,” “Immortal,” “No Escape from Now,” “One of those Days,” “A Thousand Shades,” “Evil Shuffle,” “Mr. Darkness”

Review: Skid Row, "The Gang's All Here"

 I didn’t see this coming.

Like many fans, I’ve longed for a reunion of the original lineup of Skid Row. While I enjoyed some of the band’s work with replacement vocalist, the late Johnny Solinger, it never quite stacked up with their earlier output. It’s become pretty clear, though, that the chasm between former vocalist Sebastian Bach and the rest of the band is too wide to bridge. So, I never expected to get a new Skid Row record that I considered on par with those first three albums.

Enter Erik Gronwall, former vocalist of the band H.E.A.T., a lifelong Skid Row fan despite being born only a couple of years before their debut album. His version of the band’s hit “18 and Life” on a Swedish TV singing competition helped earn him the nod from Skid Row after they went through a series of replacement vocalists for Solinger, including Tony Harnell (TNT) and ZP Theart (Dragonforce), and they seem to have made the right choice. Gronwall breathes new life into the band. He sounds enough like a young Bach to hit old guys like me right in the nostalgia, but he also brings enough of his own sound to not give off the tribute vibe.

Review: Anti-Mortem at the Rail Club (July 25, 2021)

Under normal circumstances, I probably wouldn’t have made the four-plus hour drive to Forth Worth for less than a bucket-list concert. But these aren’t normal circumstances, are they?

Still, this one will certainly go down as a show I’ll never forget for a few reasons. The first is simply that it had been almost two years since I’d had the chance to abuse my eardrums with some live heavy metal. The second is that Anti-Mortem’s debut New Southern was one of my favorite albums of the last decade. It’s still in regular rotation nearly 10 years later, and until recently, I was bummed that I thought it would be the last music we ever heard from them. Even with those two factors, I still would have been hesitant to take this trip, but it was my son who spotted the show online and really wanted to go. That sealed the deal.

Review: Ozzy Osbourne, "Ordinary Man"

There has been talk of a new Ozzy record for a few years now, and it’s sparked hope that we’d get that one last really awesome album that would erase some of the lackluster releases of his later years and send him out on top.

Now we have it, and, man, this is tough.

The problem I have with Ordinary Man is that the songs are, I think, some of the best that Ozzy has recorded in years. But the album is extremely difficult to listen to, not because of the content, but because it sounds like utter crap. It’s like I’m listening to music through a busted speaker, especially in the heavier moments. I’m assuming that was the sound they were going for, but I don’t understand why.

Review: Marko Hietala, "Pyre of the Black Heart"

Overview

Nightwish bassist/vocalist Marko Hietala gives us the English version of his 2019 Finnish release, Mustan Sydamen Rovio, and it's an interesting mix of classic hard rock sounds and the more folky and symphonic side of his main band.

What's Hot?

We already know that Hietala is an incredible songwriter, and that's on full display on Pyre of the Black Heart, both in composition and lyrics. Most of the songs here delve for lyrical depth, but I also enjoy that he's not afraid to have a little juvenile fun in his songwriting, as evidenced by the line in "Stones" where he sings "am I the butt of their constant crack?" There are also some interesting choices here and there on the album, like the synth-heavy sound of "Star, Sand and Shadow" which probably ends up closer to Nightwish than just about anything else here. But I really like when he just goes for the straight-up rock. "Death March for Freedom" is one of my most-played songs of the young year, mixing old-school, Deep Purple-style hard rock with some folky melodies. Hietala's vocals remain just as incredible, dark and powerful as fans of Nightwish and the many other bands that he's worked with would expect.

Review: Dirty Shirley, "Dirty Shirley"

Overview

George Lynch may just be the busiest man in rock 'n' roll these days. Every time you turn around, it seems like he has a new project. The latest is blues rock outfit Dirty Shirley.

What's hot?

Vocalist Dino Jelusic is an absolute beast. His vocals make me wonder if Dio and Whitesnake toured Croatia together back in the early 1990s and if so, where his mother was that night. I joke, of course, but Ronnie James Dio and David Coverdale both are prominent in his influences, along with Jorn Lande. Even if nothing else worked on the record, it would be worth the listen just for his voice. Luckily there are also some tasty, nasty blues grooves from Lynch like the one on album opener "Here Comes the King" and a few strange moments like the Zeppelin-meets-Alice in Chains sound of "Grand Master."

Review: Kiss at CenturyLink Center (Sept. 7, 2019, Bossier City, La.)

Sometimes, you plan concert trips a year in advance. Sometimes, you accidentally end up at a Kiss show.

When tickets went on sale for the End of the Road Tour in Bossier City last fall, I was considering going. My son had never seen Kiss, and though I believe this is a retirement tour just about as much as I believe in any other “retirement” tour these days, I had to admit that Gene and Paul are getting up there and this might actually be the last time I got to see them.

Then I checked the prices and decided that I’d seen Kiss enough times over the years. I saw them sans-makeup in the 1980s, on the reunion tour in 1996 and on a previous “farewell” tour. And honestly, the last time I caught them with the current lineup, they kind of phoned it in, and I left disappointed.

Fast forward to the night before the show, and a stray thought struck me to check and see if there were tickets left. There were, and there was a discount code that took some decent seats down to about $40 (which, of course, works out to about $70 apiece after Ticketmaster gets through with you, but that’s another rant). How could I say no at that price?

Dream Sets: Aerosmith

This second installment will be quite the challenge for me as one of my absolute favorite bands. I could fill a 13-song playlist based mostly around their debut album and 1976’s Rocks.

THE MAIN SET

 

 

1. “No Surprize” (Night in the Ruts, 1979). While this is definitely not my favorite Aerosmith album, I do love this song, and I think it would be a great opener. It’s high energy and introduces the band.

Review: The Dead Daisies, "Burn It Down"

Editor’s note: I’m introducing a slightly new format to try to breathe a little life back into this site. I miss sharing my thoughts on music, but I find myself without as much time to do it these days. In addition, some folks are starting to go to a stream-only mode for promos, which gives me less listening time and opportunity to write the longer pieces. I may still occasionally dig into an album here or there and write something longer, but hopefully these shorter reviews will help me do one or two a week.

Overview

After the outstanding Make Some Noise album in 2016, all-star group The Dead Daisies returns with new drummer Deen Castronovo (Journey, Bad English) taking over the sticks from Brian Tichy and a small tweak in their sound. 

What’s hot?

A lot of blues rock influence shows up on this album, starting with a slinky, tasty guitar riff that opens the title track and really showing up on the ballad "Set Me Free." It gives things a very slightly different feel from the straight-up, old-fashioned hard rock on Make Some Noise. That said, there’s still plenty of that sound to go around. Opener “Resurrected” reminds me of something from singer John Corabi’s underrated 1994 record with Motley Crue and songs like "What Goes Around" rock with a vengeance. The band also wears its classic rock influences on its sleeves with a cover of the Stones’ “Bitch,” and a hat tip on the opening of “Judgement Day,” which will definitely remind listeners of Blind Faith’s “Can’t Find My Way Home” before it kicks in the high octane rock on the chorus.

Review: Dark Hound, "Dawning"

When I think of Nashville these days, my first thought is usually nausea-inducing, skinny-jean wearing, faux-country boys rapping about pickup trucks and dirt roads. But even if I listed the positives of Nashville music – and there still are a few – I highly doubt that a blend of thrash, progressive and early-‘90s hard rock would appear anywhere on that list. But here I sit, listening to Dark Hound’s latest album Dawning, and enjoying the hell out of it.

Listening to this record, I hear shades of some favorites: early Saigon Kick, Lillian Axe’s more progressive work, Testament, perhaps a little Dream Theater here and there. But Dark Hound blends it all together into a sound that’s completely their own and doesn’t really fit into any of the current trends or sub-genres in the metal world.

Best of 2017: Alestorm, Hellbound Glory, White Light Cemetery, Bob Wayne, Savage Messiah

It was, honestly, a pretty lousy year for music to my ears. Not a lot grabbed my attention and even less held it. So, rather than puff up two or three albums that I didn't feel were all that great to round out a Top 10, I've opted to keep it to five and cut a couple that I do feel are deserving.


5. Savage Messiah, Hands of Fate. This spot was by far the toughest call on the list, and I wavered for a good long while between this one and albums from Firewind and Alice Cooper. In the end, though, Savage Messiah just spoke to me more. On previous outings, the band has leaned more toward speed metal and thrash, but Hands of Fate is the kind of fantastic, old school, straight-up heavy metal album that we don’t get much anymore. At the same time, though, it doesn’t sound like a dated imitation of bands that have come before. It’s full of awesome riffs and great hooks, and if the title track doesn’t get your head banging, it may be time to hang up the horns.

Playlist 2017 Week 4: Locust Grove, Body Count, Hellbound Glory, Alex Williams, White Wizzard

For the fourth week of favorite tunes from 2017, I look at a surprising cover, a repeat offender and a promising start to 2018, among others.


Locust Grove, "Monster" from the Monster EP. One of my favorite finds in recent years, and one of my greatest disappointments when they broke up less than a year after I discovered them was Oklahoma hard rockers Anti-Mortem. Guitarist Zain Smith is back on the hard rock scene now, though, with Locust Grove (where he also handles vocal duties). It's not quite Anti-Mortem, but definitely enjoyable and in the same vein.

Playlist 2017 Week 3: Firewind, Bob Wayne, Living Colour, Iced Earth, Alestorm

For week 3 of the playlist, we've got hard rock sounds, country, a little funkiness and a late pirate attack.


Firewind, "Back on the Throne" from Immortals. Guitarist Gus G may not have gotten to record an album with Ozzy Osbourne, but he was clearly writing for it. There's some great classic rock riffage that will certainly remind listeners of both Jake E. Lee and Zakk Wylde. This tune's a little different from the rest of the record, but very cool.

Playlist 2017 Week 2: Hellbound Glory, Alice Cooper, Danzig, Manson, Savage Messiah

Week two of my 2017 playlist includes my favorite track from a great comeback album, a high-powered rock 'n' roll team and a couple of solid tracks from lackluster records.


Hellbound Glory, "Hellbound Blues" from Pinball. One of the few musical high points of 2017 for me was the triumphant return of Hellbound Glory. This gritty, dark rocker from the record is easily my favorite song. While I in no way condone the use of cocaine, I love the first verse of the song, particularly the interesting description of his coke as "whiter than the Alabama Ku Klux Klan."

Playlist 2017 Week 1: Alestorm, White Light Cemetery, Cellar Darling, Fozzy

I'm still trying to decide whether it's worth doing an end-of-year list for 2017. You'll note that I didn't write much this year, and while it's true that I was busier than normal, it's also because there wasn't a whole lot that excited me musically this year. That said, there were a couple of great records and a handful of really good songs. So I'll start with my playlist and see where it goes.


Alestorm - "Fucked with an Anchor" from No Grave but the Sea. Let's go ahead and get this one out of the way, since everyone knows it's coming. I called it as my song of the year when I reviewed the album, and that hasn't changed. This silly profane song was the most fun that I had this year musically, and you'll be seeing Alestorm again in this playlist.

Review: Alice Cooper Live at Shreveport Municipal Auditorium (May 11, 2017, Shreveport, La.)

When rockers begin to get older, you expect to see it in their performance. But there was absolutely no evidence of a near 70-year-old man when Alice Cooper took the stage at the Shreveport Municipal Auditorium. There was only Alice Cooper — just as powerful and in command of the crowd as he’s ever been.

I’m not sure that the hallowed halls that once housed the famed Louisiana Hayride have ever seen a spectacle quite like they witnessed on this night.

Alice stormed out of the gate with the punishing title track from his 2000 record Brutal Planet, arguably his heaviest album and one of my favorites. He then proceeded to run through a series of fan favorite tunes – “No More Mr. Nice Guy,” “Under My Wheels,” “Lost in America” – without giving the audience room for so much as a breath.

Playlist 2016 Week 5: Dead Daisies, Anthrax, LoG, Death Angel, Testament

We've now reached the point in the program where we start to get into mostly repeated artists, and we've entered the new year, so I think I'll wind it down with this week's selections. That said, there are still a few more songs that make my playlist, but I think these 25 or so cover the high points.


"We All Fall Down," The Dead Daisies. This was just an old-fashioned, good time hard rock record. It's simplicity and fun made it one of my favorites of the year, and "We All Fall Down" was my favorite track. Just a great hook and a great all-around tune.

Saturday Night Special: Trans-Siberian Orchestra, "First Snow"

To be honest, it just hasn’t felt like Christmas to me this year. I’ve been super busy with work. The weather where I live, for the most part, has been more like summer. My son’s too old for my annual pilgrimage to the toy stores, and as I write this (a week or so before you’ll read it), my tree sits in my living room undecorated. It’s been a strange year.

Part of the reason, I know, is that Santa Claus ended for my son last year, and I think that also took some wonder and excitement out of things for me. So, in hopes of finding some holiday cheer, I turned to an old favorite, Trans-Siberian Orchestra, and they delivered.

Playlist 2016 Week 1: Metal Church, Anthrax, Testament, Death Angel, Jackyl

Last week, I started sharing some of my favorite songs of 2016 over at the Facebook page. I wasn't planning any posts on those here, but what the hell? Here's a look back at the first week's worth. (These are in no particular order, other than the way they come to mind.)


"No Tomorrow," Metal Church. I'm calling this the year of the classic thrash band, as so many of my old favorites turned out fantastic records. Let's the get the playlist started with the return of Mike Howe to Metal Church, a most welcome reunion.