It’s an interesting project in that it seems the band had the music written, and Frontiers Records put them in touch with Tate. Apparently there was very little collaboration, which doesn’t seem to be the setup for a good record, but Sweet Oblivion defies the odds.
There’s definitely a classic Queensryche vibe to the music on this album, though if guitarist Simone Mularoni is to be believed, that may not be due to Tate. In an interview with Aardschok Magazine, he says that when he submitted the material to Tate, it came back with a closer resemblance to hip-hop than Queensryche. After a few rounds of disagreements between guitarist, singer and label, Mularoni says Tate recorded the vocals on his tour bus and sent them back. I’m guessing from this interview, we won’t see a tour for this project.