Showing posts with label Metallica. Show all posts
Showing posts with label Metallica. Show all posts

Wednesday, January 3, 2024

Best of 2023, Part 2: In Flames, Avatar, Metallica, Nita Strauss, Overkill

Continuing my list of top 20 albums of 2023:


No. 10. NITA STRAUSS – THE CALL OF THE VOID: The long-time Alice Cooper guitar slinger delivers her second solo album, this time shaking things up with a whole host of guest artists (including the boss), as well as some incredible instrumental pieces. The songs with guest stars do tend to take on the flavor of the guest’s band, but that’s honestly not a problem at all as it brings great variety from the melodic death metal influence of “The Wolf You Feed,” featuring Arch Enemy vocalist Alissa White-Gluz, to the quirky nu metal of “Dead Inside,” featuring David Draiman of Disturbed, to the all-out hard rock of “Victorious,” featuring Dorothy. But it’s not just guest vocalists that Strauss brings on as we get a shredder's dream collab with Marty Friedman on “Surfacing,” to close the record. Call of the Void is a solid album that should appeal not only to guitar fans, but fans of great rock songs.

Standout songs: “Summer Storm,” “The Wolf You Feed,” “Victorious,” “Winner Takes All,” “Kintsugi,” “Surfacing”

Friday, April 21, 2023

Review: Metallica, "72 Seasons"

Metallica’s 72 Seasons will, no doubt, be one of the most loved metal albums of the year. It will also be one of the most hated.

That’s the spot the band has found itself in with every album released since the early ’90s. (Except maybe St. Anger, which is pretty much reviled by most.) You could make the argument that it goes back farther than that. There are fans that will say And Justice for All was the beginning of the end because they did a music video for “One,” and I’ve heard arguments at one time or another as to why every album since Kill ‘Em All has sucked.

I’m guilty, too. I was furious when the self-titled Black Album came out in 1991, and all of a sudden people who had been making fun of me for listening to Metallica for years were driving around blasting “Enter Sandman.” I felt strangely betrayed. I dislike the song immensely to this day, though I did eventually come around to the album with time. Since then, it’s been a mixed bag for me.

Friday, January 10, 2020

Best of 2019: Gloryhammer, Soilwork, Beast in Black, Tom Keifer, Sturgill Simpson and more

There’s a contingent of metal fans who think the music should always be uber-serious and without any trace of humor. I don’t agree with those folks, and really never have, but I do get it. Many of us were drawn to metal from places of anger, pain or isolation, and we found solace in knowing that there were others feeling the same things.

As I’ve gotten older, I have gained a much greater appreciation for things that just make me happy. There’s enough going on in the world to validate my anger and sadness these days, and more often than not when I turn to music, I want to get away from that.

When Kirk Hammett and Rob Trujillo were getting bashed mercilessly by some fans this year for taking a couple of minutes of each Metallica show to have some goofy fun by performing absolutely awful covers of songs that had some significance to the town they were playing, I was watching the YouTube videos and laughing along with them. I was happy to see them having fun and not taking things too seriously.

For the same reason, Nanowar of Steel’s completely ridiculous IKEA-ad Christmas tune “Valhallelujah” sits right next to Parkway Drive’s “Wishing Wells,” a violent and raging tale of coping with grief, on my list of Best of 2019 list. (And, yes, I know the Parkway Drive song wasn’t actually released in 2019, but more on that later).

So, if there’s a theme to my list of favorite albums of the past year, you’ll see that it’s not necessarily complex and serious musicianship that won me over in 2019, but rather the ability to make me smile and take me to another place for a few minutes.

BEST OF 2019 NOT RELEASED IN 2019


PARKWAY DRIVE – REVERENCE: I was a fan of the early wave of metalcore in the late ’90s and early ‘00s with bands like Shadows Fall and God Forbid, but the style quickly got stale for me. These days, I tend to discount most anything tagged with the label automatically, so Parkway Drive was not on my radar until late January. We were listening to Sirius/XM on our four-hour drive back from a concert in Dallas that had been my son’s Christmas gift when I heard “The Void” on Octane (his channel of choice). I thought it was kind of cool with a Metallica vibe. A couple of hours later, they played “Wishing Wells” on Liquid Metal, and the song just punched me in the gut. When I got home, I grabbed Reverence, and it remained a staple of my listening all year. It has the perfect balance of raging heaviness mixed with memorable melodies and riffs that just does it for me. It’s one of my most listened records this year, and if I had heard it when it was released in 2018, it would have easily been a Top 5 pick.

Thursday, April 11, 2019

Dream Sets: Metallica



This one was brutal. Easily the toughest I’ve done so far because so many songs are on the same level in my mind. I basically want to hear the first four albums in their entirety, plus a few from later records. I could cheat and do a few medleys, but I didn’t.

THE MAIN SET

 
  1. “Battery” (Master of Puppets, 1986). I always love a good intro that blasts into a heavy song to start a show. This one fits the bill.

Thursday, January 5, 2017

Best of 2016: Metal and Hard Rock

For me, 2016 was a very hectic year, so I didn’t get the chance to write about as many of these records as I would have liked. Still, it was a strong musical year, and, as you go through my Best Hard Rock and Metal of 2016 list, you’ll see why I’m calling it the year of the classic thrash band.

That said, two notable thrash heavyweights who released albums this year didn’t make the Top 10: Megadeth’s Dystopia grew on me as 2016 went on, and was on the bubble as I made my final decision, but didn’t quite make the cut. The other, I was a bit more disappointed by. Though Metallica’s Hardwired … to Self-Destruct contains a few standout tracks – including the best pure thrash song they’ve recorded in ages – I just found most of the record vanilla and unmemorable. Those songs that I love just weren’t enough to overcome the blah numbers that surround them.

That said, four classic thrash acts did find their way into a pretty strong final field, and one blew all the others away in my opinion. Here’s my Best Hard Rock and Metal of 2016 …


10. METAL CHURCH – XI: Here’s our first classic thrash entry already. The return of Mike Howe on vocals certainly piqued my interest, as 1989’s Blessing in Disguise is one of my favorite Metal Church albums, and the lead single “No Tomorrow” got me amped up. The album followed through on that promise. There’s nothing new or fancy here, but it’s just a great old-school thrash record.

Wednesday, December 28, 2016

Playlist 2016 Week 4: Rob Zombie, THC, Metallica, Holy Grail, Lacuna Coil

A couple of surprises and a little strange holiday cheer as the playlist rolls on.


"Get Your Boots On! That's the End of Rock 'n' Roll!" Rob Zombie. This album was one of the surprises of the year for me. I haven't been that interested in anything Zombie has done in a while, but this album was pretty entertaining. The chorus of "Get Your Boots On" is like his love letter to rock 'n' roll.

Monday, December 12, 2016

Playlist 2016 Week 2: Jackson Taylor, Metallica, Delain, Amon Amarth, Wicked Realm

In the second week of my Playlist 2016, we'll go from country to Viking death metal with a detour through the 1980s.


"Which Way is Up?" Jackson Taylor & The Sinners. If any song perfectly encapsulates 2016, it's this title track from Jackson Taylor's latest release. It expressed my feelings exactly as most everyone around me seemed to lose their minds in a particularly nasty election year. It's a message that I believe everyone needs to hear before this year is over.

Saturday, August 20, 2016

Review: Metallica, "Hardwired"

So, I’ve given this new track from Metallica almost 24 hours and quite a few listens to settle before I sat down to write this – because my initial reaction to the song was not good at all, and I didn’t want to go with a knee-jerk. I wanted to try to give it a fair hearing and a chance to grow on me. A day later, my reaction is better, but still a little “meh.”

To be honest, there have been times in Metallica’s career that I would have rejoiced to hear a song like “Hardwired.” Had it arrived in 1998, I would have been jumping up and down and celebrating. Since the 1990s meltdown of the band, though, fans have seen a new evolution. Beginning with the rough and raw St. Anger in 2003 (more thoughts on that to come in my Metal Meltdowns series) to a really good outing in 2008’s Death Magnetic, despite its aural challenges.

What I hoped for was a continued evolution on that path. Eight years later, I hoped that they had honed and perfected that sound. I’d hoped that if St. Anger was the Kill ‘Em All of this version of the band, then the new album would be the Master of Puppets. Yes, I realize that expectation was way, way too high, but given the quality of music that other classic thrash bands are putting out there this year, I didn’t think it was beyond the realm of possibility.

Saturday, March 21, 2015

Saturday Shuffle: Amon Amarth, Aerosmith, Firewind, Three Thirteen, Metallica


Today, I re-introduce the Saturday Shuffle. For those who don’t remember it, it was one of the more popular features on the site for the last couple of years. I take the first five songs that come up on my shuffle and offer a few brief thoughts on them. I won’t pull punches. If a really bad song or something embarrassing comes up, I’ll own up to it. (See the second song below).


Amon Amarth, “Legend of a Banished Man (Live).” From the album The Avenger (2009 re-issue). One of the more plodding numbers from Amon Amarth’s early work gets the live treatment on this re-issue of the band’s second album. It’s perhaps one of the slower numbers, but no less epic.

Wednesday, December 31, 2014

Best of 2014: Reader picks

Before I get into my personal picks for the best records of 2014, I want to give my readers the spotlight.

To tabulate this list, I looked at all the posts to this blog for the year. I tossed out all of the Saturday Shuffles which tend to get quite a bit of traffic and focused just on the reviews. These are the Top 10 most viewed articles of the year.

Thanks for reading, and I hope to see you again in 2015.


10. Metallica - "Lords of Summer." Published April 8. A new tune from Metallica that may or may not make their next record. I liked it despite its flaws.

Saturday, November 1, 2014

Saturday Shuffle: DLR, Dio, Living Colour, Metallica, Soundgarden


A nice variety of hard rockers from classics to new stuff, from glam to grunge ...


David Lee Roth, “Tobacco Road.” From the album Eat ‘Em and Smile (1986). I always forget how much I love this cover until I hear it again. Steve Vai’s screaming guitar licks are perfect, and the bombastic, showtune tone of the song is right down Diamond Dave’s alley. It could very well be my favorite track from my favorite DLR solo album.

Saturday, July 19, 2014

Saturday Shuffle: Metallica, Gloryhammer, Hank Jr., Hank Sr., Bruce Dickinson, Jackson Taylor


Metal, old school country, a classic rock flavored Bruce Dickinson tune and a little new-school country to round things out ...


“Wherever I May Roam,” Metallica. From the album Metallica (1991). From a sitar opening lick to a huge, epic tune. I talked a bit back about how I’ve come to have more appreciation for this record, but this is one of the songs that I always loved.

Tuesday, June 24, 2014

Review: Metallica, "Through the Never"


So, I’m just getting around to checking out the Metallica “movie” since it hit Netflix, and it’s a bit of an odd beast.

Saturday, June 7, 2014

Saturday Shuffle: Metallica, BLS, Saigon Kick, Savatage, Carcass

I'm feeling some love for 1991 in today's shuffle ...


“My Friend of Misery,” Metallica. From the album Metallica (1991). This song was one of the weaker links of “The Black Album,” but still not a bad tune. It was one of those few cases where bassist Jason Newsted was able to grab a little of the spotlight.

Thursday, May 8, 2014

Review: "Ronnie James Dio: This is Your Life"

Any tribute to Ronnie James Dio begins with a conundrum for the artists involved. It’s Ronnie James Dio, one of the greatest singers to ever grace rock music, an iconic voice that can’t be duplicated. So the vocalists here have a tough job right out of the gate. But it’s all for a good cause, as proceeds from Ronnie James Dio: This Is Your Life will benefit the Ronnie James Dio Stand Up and Shout Cancer Fund.

Anthrax kicks off the album on a high note with a faithful rendition of the Black Sabbath classic “Neon Knights.” I often give Joey Belladonna a lot of grief when I write about Anthrax, but I also believe in giving credit where it’s due, and he holds his own. That’s no small feat, considering he’s being compared to Dio.

Tuesday, April 8, 2014

Stuck in My Head: Metallica, "Lords of Summer"


For the past nearly 25 years, there’s been no more polarizing band in metal, or perhaps all of rock, than Metallica.

Since the release of that monstrous self-titled album in 1991, fans have been thrown into three different camps. There are the loyalists that have followed and defended them faithfully through all of their ups and downs. The folks, like me, who have mixed feelings about their work since that time, but try to keep an open mind despite some disappointments. Then, there are the people who will never be satisfied with anything the band does again and take every opportunity to criticize.

Saturday, October 12, 2013

Saturday Shuffle: Pantera, Metallica, Adler, BLS, Black Sabbath

Some killer live stuff from Pantera and some new stuff from familiar faces this week:


Pantera, "A New Level." From the bootleg Black Tooth (1998).  The Black Tooth bootleg is perhaps the best-known by Pantera and far more interesting than their official live record. Phil Anselmo is obviously trashed as he rambles from the stage, but it makes his performances that much more intense. We get a warts-and-all Pantera performance that’s actually a pretty strong show despite Phil’s condition. “A New Level” was never one of my favorite Pantera tracks, but they rip it here.

Saturday, August 17, 2013

Saturday Shuffle: Judas Priest, Faster Pussycat, Jani Lane, Sabbath, Metallica

A pretty rocking set this week, some heavy, some glitzy, but all rocking ...


Judas Priest, “Devil’s Child.” From the album Screaming for Vengeance (1982). On an album where Judas Priest went more metallic, “Devil’s Child” is kind of a throwback to the classic hard rock of their previous records. It’s got a great 1970s feel with some early AC/DC overtones to it – a nice complement to the rest of the record.

Wednesday, July 24, 2013

Something Borrowed: "Don't You Think This Outlaw Bit Has Done Got Out of Hand?" James Hetfield/Waylon Jennings


So, we've already established that Metallica makes a damned good cover band, but when their frontman lets loose by himself, he's not half-bad either.

When I've Always Been Crazy: A Tribute to Waylon Jennings came out in 2003, there was a distinct feeling of "one of these things is not like the others" in the track list. You had Shooter Jennings, Jessi Colter, Hank Jr., Dwight Yoakam, Travis Tritt and others. Then, toward the end of the album, you have Metallica's James Hetfield. Huh?

Saturday, July 6, 2013

Saturday Shuffle: Down, Jamey Johnson, Metallica, Dio, Pantera

A couple of Phil Anselmo's finer moments, a couple of bona fide metal classics, oh, and a country song wedged in there ...


Down, “Mourn.” From the album Down III: Over the Under (2007). I thought this was a very tastefully done tribute to “Dimebag” Darrell Abbott and a very good way for Phil Anselmo to address the controversy surrounding it, with him being blocked from the funeral and blacklisted by members of Dime’s family.