Thursday, November 27, 2014

Review: Black Crown Initiate, "The Wreckage of Stars"

I’d heard a little bit of the buzz around Black Crown Initiate, but hadn’t taken the time to check the band out.

I’m super picky when it comes to the more extreme subgenres of metal, and unless I get a promo on it, I’m not usually one to run out and find music from a death metal band. When the video for first single “Withering Waves” showed up on a social media feed, it was an easy click to check it out, and I was astounded.

In short, Black Crown Initiate gives me what I’m missing from Opeth since their move to a 1970s prog rock sound. I wouldn’t call them a clone, but what Opeth did better than anyone else, Black Crown Initiate also does exceptionally well. They deliver crushingly heavy death metal parts, interspersed with moody and dark melodic pieces and plenty of progressive bursts.

Monday, November 24, 2014

Review: Texas Hippie Coalition, "Ride On"

For their outstanding 2012 album Peacemaker, Texas Hippie Coalition brought more of a Southern rock flavor into their brand of groove metal. It worked fantastically.

Before the release of their latest album Ride On, frontman Big Dad Ritch said Texas Hippie Coalition wanted to honor the sound of their earlier records as well as what they did on Peacemaker. At least in the early going, they very much do that on Ride On.

The first two tracks on the album, “El Diablo Rojo” and “Splinter” have just a hint of those Southern elements, but the overriding feel of them — particularly “Splinter” — is more of a modern metal sound. Both are good songs, but I have to admit by the end of “Splinter,” I’m missing the redneck noise.

Wednesday, November 19, 2014

Review: Slash, "World on Fire"

Slash’s 2012 record Apocalyptic Love blindsided me. I went in for a half-hearted listen, and it turned out to be one of my favorite records of the year. Of course, that means the expectations for the follow-up were much higher.

World on Fire races out of the gate with the same vibe and energy that Apocalyptic Love brought, but it doesn’t sustain that drive and fizzles a bit toward the end.

I appreciate Slash wanting to give fans more bang for the buck with 17 tracks on the album, but maybe it should have been pared down a little as many of the tracks that come late on the record kind of blend into each other.

Saturday, November 1, 2014

Saturday Shuffle: DLR, Dio, Living Colour, Metallica, Soundgarden

A nice variety of hard rockers from classics to new stuff, from glam to grunge ...

David Lee Roth, “Tobacco Road.” From the album Eat ‘Em and Smile (1986). I always forget how much I love this cover until I hear it again. Steve Vai’s screaming guitar licks are perfect, and the bombastic, showtune tone of the song is right down Diamond Dave’s alley. It could very well be my favorite track from my favorite DLR solo album.