Best of 2023, Part 1: Icon of Sin, Extreme, Texas Hippie Coalition, Burning Witches, Gloryhammer, Angus McSix

This was another surprisingly good music year for me. Perhaps not as strong as 2022, but still solid enough to produce a Best of 2023 list that includes a lot of very familiar faces and a few newcomers:

No. 20. GRYMHEART – HELLISH HUNT: There were several albums competing for this last spot on my list, including solid new efforts from Prong and Spirit Adrift. In the end, though, Grymheart’s debut album was just too much fun to deny. From the first time I stumbled across “Ignis Fatuus,” I knew this was my kind of band – a blend of folk metal, power metal, and extreme metal with some super addictive melodies. The lyrics are, at times, pretty awful, but since the only Hungarian words I know I learned from Alestorm, I really can’t knock them for their English lyrics.

Standout songs: “Ignis Fatuus,” “My Hellish Hunt,” “Fenrir’s Sons,” “Monsters Among Us”

Best of the 2010s, Part 3: Sturgill Simpson through Rob Zombie

And finally, we come to the final installment of my favorite records of the 2010s...


STURGILL SIMPSON – HIGH TOP MOUNTAIN (2013): I’m not sure there was a better traditional country album released in the past decade than High Top Mountain. With his later albums, Simpson became far more experimental. Some of that worked for me and some didn’t, but this is the place I’d like to see him get back to one day. The music is very much old-school country, with plenty of Waylon-style honky tonk and some shots of bluegrass, but there’s a definite rock ‘n’ roll attitude to songs like “You Can Have the Crown” or “Some Days.” Though I really like Metamodern Sounds in Country Music and Sound & Fury, this remains his shining moment to my ears.

Best of 2016: Metal and Hard Rock

For me, 2016 was a very hectic year, so I didn’t get the chance to write about as many of these records as I would have liked. Still, it was a strong musical year, and, as you go through my Best Hard Rock and Metal of 2016 list, you’ll see why I’m calling it the year of the classic thrash band.

That said, two notable thrash heavyweights who released albums this year didn’t make the Top 10: Megadeth’s Dystopia grew on me as 2016 went on, and was on the bubble as I made my final decision, but didn’t quite make the cut. The other, I was a bit more disappointed by. Though Metallica’s Hardwired … to Self-Destruct contains a few standout tracks – including the best pure thrash song they’ve recorded in ages – I just found most of the record vanilla and unmemorable. Those songs that I love just weren’t enough to overcome the blah numbers that surround them.

That said, four classic thrash acts did find their way into a pretty strong final field, and one blew all the others away in my opinion. Here’s my Best Hard Rock and Metal of 2016 …


10. METAL CHURCH – XI: Here’s our first classic thrash entry already. The return of Mike Howe on vocals certainly piqued my interest, as 1989’s Blessing in Disguise is one of my favorite Metal Church albums, and the lead single “No Tomorrow” got me amped up. The album followed through on that promise. There’s nothing new or fancy here, but it’s just a great old-school thrash record.

Playlist 2016 Week 4: Rob Zombie, THC, Metallica, Holy Grail, Lacuna Coil

A couple of surprises and a little strange holiday cheer as the playlist rolls on.


"Get Your Boots On! That's the End of Rock 'n' Roll!" Rob Zombie. This album was one of the surprises of the year for me. I haven't been that interested in anything Zombie has done in a while, but this album was pretty entertaining. The chorus of "Get Your Boots On" is like his love letter to rock 'n' roll.

Review: Texas Hippie Coalition, "Ride On"

For their outstanding 2012 album Peacemaker, Texas Hippie Coalition brought more of a Southern rock flavor into their brand of groove metal. It worked fantastically.

Before the release of their latest album Ride On, frontman Big Dad Ritch said Texas Hippie Coalition wanted to honor the sound of their earlier records as well as what they did on Peacemaker. At least in the early going, they very much do that on Ride On.

The first two tracks on the album, “El Diablo Rojo” and “Splinter” have just a hint of those Southern elements, but the overriding feel of them — particularly “Splinter” — is more of a modern metal sound. Both are good songs, but I have to admit by the end of “Splinter,” I’m missing the redneck noise.

Best of 2012: Hard rock and metal Top 10

Editor's Note: This is the second in a four-part series looking at my favorite albums of 2012. 

For hard rock and metal, 2012 certainly wasn’t the best year that I can remember. In all honesty, there were only a few albums that came across my desk that really excited me. The ones that were good were really good, but where I’m usually deciding which ones to toss out of my top 10, this year it was more a case of deciding which ones to put in …

No. 10

 SHADOWS FALL – FIRE FROM THE SKY: This is really the record that I wanted from Shadows Fall after their stellar 2002 release The Art of Balance, which had me proclaiming them the next big thing in metal. They disappointed me on that count with a string of mediocre records, but this one kind of gets the fire back. There’s a nice blend of heaviness and melody, and while some people were disappointed by the heavy dose of melodic singing, I think it offers a great contrast to Brian Fair’s hardcore bark. The album is filled with killer riffs and rocks from start to finish.

Review: Texas Hippie Coalition, "Peacemaker"

If somewhere in the Lone Star State there were a city where Pantera Boulevard crossed Skynyrd Street, at that intersection, you’d probably find the world headquarters of Texas Hippie Coalition.

The band describes itself as Red Dirt Metal, and it’s as good a description as any. Like the bands that are often identified as part of the red dirt movement, THC has elements of southern rock, country and other genres, but they also add a bit of extreme to the mix, drawing on the power grooves of Pantera, the heavy rock of Black Label Society and even the occasional modern metal influence.