Showing posts with label David Lee Roth. Show all posts
Showing posts with label David Lee Roth. Show all posts

Saturday, November 1, 2014

Saturday Shuffle: DLR, Dio, Living Colour, Metallica, Soundgarden


A nice variety of hard rockers from classics to new stuff, from glam to grunge ...


David Lee Roth, “Tobacco Road.” From the album Eat ‘Em and Smile (1986). I always forget how much I love this cover until I hear it again. Steve Vai’s screaming guitar licks are perfect, and the bombastic, showtune tone of the song is right down Diamond Dave’s alley. It could very well be my favorite track from my favorite DLR solo album.

Wednesday, September 17, 2014

Something Borrowed: "Tobacco Road," David Lee Roth/The Nashville Teens/John D. Loudermilk


Every now and then my shuffle hits a song from David Lee Roth’s Eat ’Em and Smile album, and I remember how much I loved that record.

Sure, it’s silly, corny and completely over the top, but that’s precisely what I want from Diamond Dave. That flamboyant, and at times, yes, goofy personality is part and parcel of why I’ve always loved him and why, in my mind, Sammy Hagar was never a replacement for him despite really being the better singer. 

Roth also has a knack for surrounding himself with great musicians, and that was especially true of this record, which featured the likes of Steve Vai on guitar, Billy Sheehan on bass and Gregg Bissonette on drums.

At a time when Van Halen with Hagar was moving toward a more pop-oriented sound, Eat ’Em and Smile was a loud blast of wild-eyed rock ‘n’ roll that was essentially a middle finger to what Roth’s former band was doing. At least that’s how I saw it.

Thursday, February 9, 2012

Review: Van Halen, "A Different Kind of Truth"

Note: This review originally appeared at Something Else Reviews. When you're finished here, head over there for a couple of other takes on this one.
I stand corrected – and pleasantly surprised, too.

When I went into my first listen of Van Halen’s A Different Kind of Truth, I was expecting a steaming pile of mediocrity. After a few spins, I think the team in charge of promoting the record has done a big disservice to it in the clips that they’ve allowed to dribble out to the public. Those clips, with the exception of “The Trouble with Never,” which I’ll get to in a minute, have largely been forgettable and often not even the best parts of the songs.

Take “Stay Frosty,” for example. The clip out there makes it sound like a weak attempt to recreate “Ice Cream Man.” It is, of course, an attempt to recreate that song, but by the time you get to the turbo-charged hard rock section later in the tune, you don’t really care. It’s great stuff, and it’s what Van Halen should sound like.