Growing up in rural northern Louisiana, I didn’t often get to see my guitar heroes live. Maybe that’s one reason Lillian Axe’s Steve Blaze became one of them. I could be guaranteed to see the New Orleans-based band at least a couple of times a year somewhere, and Blaze’s, well, blazing fretwork was, and still is, impressive.
There was a little dive bar called the Cartoon Lounge tucked away next to a highway overpass in Monroe. It’s long been closed and demolished, but I have fond memories of it. I didn’t go there to drink. I didn’t go there to socialize. I went there for music. You’d often find me by myself, leaned up against one of the poles that ran through the middle of the building, in my own little world, intently studying whatever band was playing. Yeah, I was that guy.
