Saturday Shuffle: Flotsam and Jetsam, Testament, III, ST, Ratt

This week starts strong with an underrated album and ends on a mediocre note.


Flotsam and Jetsam, "Empty Air." From the album Drift (1995). Drift is far and away my favorite Flots album. I loved the slightly more progressive tone of it. "Empty Air" is one of the heavier tracks from the record, and it's got as much power as anything that the band has ever recorded. A fantastic song from a fantastic record.

Saturday Shuffle: Hank Jr., Sturgill Simpson, Dash, Lillian, Ratt

We start this week's installment with a little redneck noise, take a trip through Louisiana, and end up in L.A. ...


Hank Jr., “Attitude Adjustment.” From the album Major Moves (1984). There was always this mix of hell-raising country rebel and goofy fun in Hank Jr.’s older work. This tune, about a guy who can’t learn his lesson, definitely fell in the latter category. It’s silly, but much more likeable than some of the humor songs that came later.

Saturday Shuffle: Blind Guardian, Ratt, Hendrix, Iced Earth, White Zombie

This week we travel from one of the earliest tunes of hard rock to one of the most recent ...

"Noldor (Dead Winter Reigns)," Blind Guardian. From the album Nightfall in Middle Earth (1998). Just one of many majestic tracks from Blind Guardian's masterwork based on J.R.R. Tolkien's "Silmarillion." The song, which tells the story of the Noldor elves, has some nice changes of pace with huge, soaring chorus harmonies, blazing metal moments and some nice symphonic touches.

Review: Lillian Axe, "XI: The Days Before Tomorrow"

Growing up in rural northern Louisiana, I didn’t often get to see my guitar heroes live. Maybe that’s one reason Lillian Axe’s Steve Blaze became one of them. I could be guaranteed to see the New Orleans-based band at least a couple of times a year somewhere, and Blaze’s, well, blazing fretwork was, and still is, impressive.

There was a little dive bar called the Cartoon Lounge tucked away next to a highway overpass in Monroe. It’s long been closed and demolished, but I have fond memories of it. I didn’t go there to drink. I didn’t go there to socialize. I went there for music. You’d often find me by myself, leaned up against one of the poles that ran through the middle of the building, in my own little world, intently studying whatever band was playing. Yeah, I was that guy.

Review: Hardcore Superstar, "Beg for It"

The members of Hardcore Superstar pitch their music as a blend of thrash and 1980s sleaze rock. I grew up on sleaze rock and thrash is my favorite metal genre, so that idea intrigued me. It's a bit of false advertisement, though. While they're on the heavier end of sleaze rock, their sound has much more to do with Guns 'n' Roses, Ratt and Motley Crue than Metallica, Megadeth and Slayer.

The record opens with a strange, but promising instrumental, "This Worms for Ennio," which sounds, appropriately considering the reference to composer Ennio Morricone, like a cross between a spaghetti Western soundtrack and a Celtic folk tune. That leads into the first metal song, the title track "Beg for It," which almost delivers what they promise. There's a driving thrash riff at the beginning, but after that it's straight 1980s with a very glam rock chorus. There are some thrash pieces scattered throughout. The first few notes of "Don't Care 'Bout Your Bad Behavior" make you think you're going to get some Metallica influence, but it immediately morphs into an early Motley Crue sound. "Take 'Em All Out" brings a little thrash in the beginning before moving into a funky riff that's still pretty good. There's a lot of Guns 'n' Roses and Ratt influence on the track, though.

There are the complete misses, like the ballad "Hope for a Normal Life" which covers all the worst territory of the hair ballads. Other songs, like "Nervous Breakdown," just seem to kind of lay there.

As far as the straight sleaze rock goes, much of it is interesting if you're a fan of the sound. "Into Debauchery" has a great guitar riff up front. "Shades of Grey" opens with an Iron Maiden-ish guitar lick and has some nice harmonies on the bridge. It's a bit reminiscent of Lillian Axe, a band I still have a great appreciation for. "Spit It Out" opens with a clean guitar lick that almost echoes Motley Crue's "On With the Show" before blasting into an Appetite for Destruction-era Guns sound. "Remove My Brain" is one of the best tunes here, despite a heavy influence of early 1990s Metallica. It's got a nice groove and enough cowbell to make Christopher Walken proud.

Vocalist Joakim "Jocke" Berg has a good voice for the 1980s parts, sounding like a mix of Jeff Keith, Stephen Pearcy and Vince Neil, and the musicians backing him are all capable. Your tolerance for Hardcore Superstar will probably depend on your tolerance for 1980s sleaze rock. If you hate the aforementioned bands from that era, you'll probably want to pass. For those of us who grew up on it, though, it's kind of fun.

Get "Beg for It."

(Review originally published at Teeth of the Divine.)

Interview: Jerry Dixon of Warrant

When it comes to 1980s "hair bands," few have suffered more barbs than Warrant.

The band that sold seven million albums in the late '80s and early '90s somehow became the punchline of a joke during the grunge era. Even today, magazines and television point to the band as one of the key factors in the end of rock's era of excess.

But bassist and founding member Jerry Dixon says the band subscribes to the theory that there's no such thing as bad press. He says they don't take the taunts and jokes personally, and they're happy as long as people are talking about them.

"Somebody has to take the blame, but it's all good," says Dixon. "You've got to have a thick skin in this business to be around this long. You can't get bummed out over something like that."

Dixon admits that the band's current image likely stems from some of the moves they made early in their career. He points out the infamous boy band-like matching white suits from the "Heaven" video as a perfect example. He says they were hungry to succeed and willing to do just about anything.

"I think we made some stupid moves and bad decisions, maybe, in some of our videos," he says. "At that point, we were so young. You'd like to think you were in control of your career, but in reality, you're 19 years old. I mean, I couldn't even drink alcohol yet. We left ourselves wide open for a lot of that, but we did our best."

Despite the scorn thrown their way in recent years, Warrant has managed to survive into the new millennium. They pull into the Monroe Civic Center on Thursday on the Metal Edge Rock Fest tour with fellow '80s acts Dokken, Ratt, L.A. Guns and Firehouse. It's a tour that might have had ego problems back in the heyday of those bands, but Dixon says they've all grown up now.

"There's been a lot of camaraderie," says Dixon. "We're all grown up and past that. It's fun to fight with other bands when you're just coming out - lip off a little bit, get in some barroom fights. After a while, we realized we're just happy to be doing this, and you get respect for other bands that have been around as long as us."

Dixon says the shows are drawing good crowds, and he sees a renewed interest in Warrant's brand of music. He says it might have something to do with the times.

"I think there is so much heavy stuff going on in the world, and people remember our era of music as good times, good shows and just kind of a night out on the town," he says. "I think with all of the stuff going on, people just want to go out and have fun. They don't want to go to a show and hear things that are too heavy and too close to home."

Whatever the case, Dixon says the band is getting a huge response when they crank out hits like "Cherry Pie" and "Uncle Tom's Cabin." That's not to say they don't get a little tired of those songs.

"I hate when bands do interviews and say `we still love to play that song,'" Dixon says with a laugh. "It gets repetitious, but at the same time, it's a double-edged sword. You're so glad to have that song because if it wasn't for those songs like `Heaven,' we wouldn't be here."

But when the crowd explodes with the opening riff of "Down Boys" or "Cherry Pie," Dixon says it's all worth it.

"I think the crowd reaction to those songs is so much more intense that it balances the excitement out on stage for us," he says.

And for the fans that don't get enough of Dixon on stage, he also has his own soap. Each heart-shaped bar from Soap Grooves contains one of Dixon's guitar picks. He laughs as he talks about it.

"Somebody had contacted me from soapgrooves.com; it's a Web site that makes these crazy soaps with dollheads - kind of rock `n' roll stuff," he says. "I sent them some picks, and they sent this soap back. I thought it was hilarious, so I put it on my Web site. I thought if somebody wanted a pick, it would be a cool way to get a pick."

As for Warrant, they hope to get into the studio once this tour is over and work on a new album.

"I'd like to put out a good product and go out and hopefully just keep touring," he says. "There's hope that we can really be around for a long time. So we're just trying to keep the wheels on, keep everyone sane and straight and keep it going."