Review: Bob Wayne, "Hits the Hits"

Gambling is a dangerous game. Just ask Bob Wayne. You could go from refusing to perform covers, to doing a silly cover song because you lost a bet, to doing a whole album of covers. It’s a slippery slope.

Wayne’s latest, Hits the Hits, all started with a lost bet that found him performing a cover of Meghan Trainor’s “All About that Bass,” his first ever. A few months later, and we have a 13-song collection of covers from the DIY country singer.

Don’t expect any Johnny Cash or Waylon Jennings, even though they’d seem to fit his style more. On this collection, Bob Wayne puts his own spin on classic rockers like the Beatles, Rolling Stones, Led Zeppelin, Ozzy and Guns N’ Roses, along with some much stranger pop choices — like Adele, Rihanna and Gnarls Barkley. There’s even a Bob Marley tune in the mix.

Review: The Scorpions, "Comeblack"

The re-recording of old favorites has always been a tough one for me. I know there are sometimes reasons to do it – rights issues or personnel changes – but as a fan, it’s hard for me to put aside 30 years or so of listening to a song and embrace a new version. That’s what The Scorpions ask us to do on their latest, and supposedly final album Comeblack.

The first seven tracks of the album consist of updated version of some of the band’s biggest hits — “Rhythm of Love,” “The Zoo,” “Rock You Like a Hurricane,” “No One Like You,” “Blackout,” “Winds of Change” and “Still Loving You.”

Review: Kenny Wayne Shepherd, "How I Go"

For a guy that once told me in an interview that he couldn’t seem to make everyone happy with his mix of blues and rock, Kenny Wayne Shepherd has done pretty well for himself.

Coming out of the gate as a 16-year-old kid schooled in the Stevie Ray Vaughan style of blues on his 1995 debut Ledbetter Heights, Shepherd met with mixed feelings in the blues community. There was no doubt that he had the chops, but some traditionalist blues fans felt that, as a teenager, he didn’t have enough life experience under his belt to play the music. Others thought there was a little too much rock in his sound. That seemingly ceased to matter in 1997, when he released the follow-up Trouble Is… which found huge mainstream success on the strength of the single “Blue on Black.”