“Paranoid,” as we all know, is a fairly simple three-chord tune and wouldn’t seem to lend itself to the multi-voice a cappella treatment as well as a more complex composition, but Van Canto gives it the old college try. The results, with guys going “bom bom bom bom bom bom bom bom bom bom bom bom bom bom bom dah dum doo” is at the same time sort of ridiculous and, strangely, absolutely entrancing. I had to listen to at least three times in a row, and I’m still not sure what I think about it. But I think you need to hear it.
OK, now the back story on this German sextet. They’re backed by a drummer, but the rest of the instruments, for the most part, are performed vocally. Their original compositions would mostly fall into the power metal genre, and surprisingly, it works. I particularly enjoyed “To the Mountains,” which has kind of a Blind Guardian feel to it. It’s amazing how closely the drum and vocal gyrations can mimic a thrash guitar sound, though some of the “bum bum bum bum bums” are a bit funny.
First single “Badaboom” underscores the blended nature of Van Canto’s music. While the group takes its harmonies and interplay seriously, there’s also a very tongue-in-cheek feel to the song, both in its title and the video which finds Van Canto popping in on impersonators of famous bands and watching their reactions as their instruments disappear.
Then, there are a few tunes that are just practically impossible to take seriously at all. “Steelbreaker,” when they go for a 1980s style groove, just loses me in giggles with the “wee doo a nom a nom nom.” Even still, it’s fun in its silliness.
In addition to Black Sabbath, Van Canto turns in a diverse group of covers that ranges from the oft-ridiculed Europe hit “The Final Countdown” to Annie Lennox’s “Into the West” from the “Lord of the Rings: Return of the King” soundtrack to Bonnie Tyler’s “Holding Out for a Hero” from the “Footloose” soundtrack. The novelty factor really helps the covers.
“The Final Countdown,” already smothered in cheese, is actually pretty entertaining in the hands of Van Canto. “Holding Out for a Hero” gets a driving drum beat as the voices provide the big synth lines. Female singer Inga Scharf rips on the tune, and I’d actually like to hear it done this way with metal instrumentation (though, I know that defeats the purpose of Van Canto.)
“Into the West” might be one of the few moments on the record, though, where I didn’t get the giggles at some point. The approach the group takes really kind of fits with the theme of the song and the movie, and the harmonies are really nice. It’s a song I wouldn’t listen to on a regular basis, but it’s a really good one when I’m in the mood for that sort of thing.
So, is the world ready for a cappella metal? I’m really not sure, but I have to admit that I leave Dawn of the Brave with a big grin on my face, whether from enjoyment or the inherent cheesiness, I’m not sure. But I’m betting that cover of “Paranoid” could turn a bad day around in a hurry.
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